Face To Face With 5 Of Japan’s Most Innovative Architectural Designers
What makes their work stand out?
From the new JR Takanawa Gateway Station to Issey Miyake’s coolest Kyoto store, these are the faces behind some of Japan’s hottest buildings and interior designs.
Japan is a country where creativity and design permeate in every aspect. Utter respect and reverence for the past intertwine with the present and the Japanese devotion to precision, beauty and craft fuses the two. In a country with so much creative genius and so many skilled artisans, it takes great talent to be a successful designer. Here are a few must-know contemporary faces that have had (and continue to have) a major impact on Japan’s architecture.
Kengo Kuma (隈研吾): Bringing traditions to life
Possibly the most significant Japanese contemporary architect, Kengo Kuma continues to push boundaries with his every touch. Known for work that aims to hold on to traditions whilst reinterpreting them for the 21st century, Kuma challenges the process of creation in everything he does.
His first practice, Spatial Design Studio, was founded in 1987, followed in 1990 by Kengo Kuma & Associates that today employs over 150 architects with at least 100 projects on the go at any time around the world.
As one of the world’s most recognized and lauded architects, his works include the Nagasaki Prefectural Art Museum (2005), a Commune by the Great Wall of China (2002), Tokyo’s Asakusa Culture and Tourism Centre (2012), base camp at Mont Blanc, the Hongkou Soho building in Shanghai, 1550 Alberni Street Westbank in Vancouver, Gare Saint-Denis Pleyel metro station in Paris, the Hans Christian Andersen Museum in Odense, the Museum of Indigenous Knowledge in Manila and the recently opened V&A Museum in Scotland.
His latest building is the radical Starbucks store (pictured above) made of twenty-nine upcycled shipping containers previously used by Starbucks to ship its coffee around the world. The structure overlooks the Pacific Ocean in Taiwan and is the brands’ 40th shipping container store but Taiwan’s first to be designed by Kengo Kuma. Fully equipped with a drive-through, the containers are arranged into an angular two-story building. Kuma is also behind the design of Starbucks’ stores in Fukuoka and the stunning Starbucks Reserve Roastery in Tokyo set to open in Nakameguro this spring, as well as the latest addition to the JR Yamanote Line, the Takanawa Gateway Station, set to open in 2020.
Kuma’s three-tiered 80,000-seat wooden lattice stadium for Tokyo’s 2020 Olympics, will further push the boundaries of nature and art with the stadium design becoming part of a forest, and the building becoming yet another Kuma landmark.
Jin Kuramoto (倉本 仁): Master of inventing and reinventing
© Photo by © JIN KURAMOTO STUDIO
As far as product designers go there are many with an international profile — like Oki Sato of Nendo or Tokujin Yoshioka for example, but the moment is here for Jin Kuramoto. His practice, Jin Kuramoto Studio, was established nine years ago in Tokyo and is already at the forefront of design in Japan.
Kuramoto entered the world of design when he trained as a carpenter and learned the details of the craft and the intricacies of working with wood. Followed by an art degree at Kanazawa College of Art and time spent as an industrial designer for NEC, Kuramoto learned the art of inventing and reinventing. In 2003, an exhibition he launched at Tokyo Design Week captured the global attention – the exhibition then traveled to Milan for Salone del Mobile that same year and onto England’s Design Week.
Back in Tokyo at the Jin Kuramoto Studio, he and his team design a vast number of objects and pieces of furniture, most of which can easily be considered individual works of art. Whilst at once inspiring global designers and making a great impact on the Japanese creative scene, Kuramoto has become a go-to designer for global brands including Arflex where he has designed the JK chair and Offecct — the Wind Table (pictured below).
As an industrial designer Kuramoto has worked closely on products launched under global brands like Nikon, Toyota and Sony where Kuramoto introduces a modern touch and feel whilst ensuring the core values of Japanese design are incorporated.
We will hear more about Kuramoto as he continues to create a catalog of products that seek to inspire and derail our premeditated thoughts on design.
Naoto Fukasawa (深澤 直人): From Muji to Issey Miyake’s latest machiya store
Born in Yamanashi Prefecture and graduated from the Tama Art University, Naoto Fukasawa is now a globally recognized industrial designer whose products are likely to be found in each of our homes. Fukasawa’s philosophy focuses on observing human behavior – hours spent watching how people interact with the basic of tools, like an umbrella, have meant unknowingly Fukasawa is enhancing the quality of our daily life — providing things that are not only functional but also aesthetically pleasing.
In 2003, he established Naoto Fukasawa, where those basic human needs and traditional craftsmanship intertwine to create award-winning products. Among Fukasawa’s clients is Muji, the Japanese homeware giant for which he has anonymously designed dozens of products including the iconic wall-mounted CD player 3 (pictured below), household electrical appliances, furniture, lighting and even fashion.
Fukasawa collaborates with the world leaders in design including brands like Artemide, B&B Italia, Conde House, Herman Miller, Magis, Maruni and Plank but is also a key figure in consulting Japanese companies where his expertise moves the world of design into the home and everyday life. He is the first to recognize the impact of social technology on our daily lives and how this plays into design, and this can be seen in his Grand Papilio for B&B Italia, a vast armchair with space to support elbows supporting technology.
In 2018, Fukasawa created a new boutique for fashion house Issey Miyake inside one of Kyoto’s historic machiya houses. While traditionally machiya had a shop downstairs and a home upstairs, tasked with transforming the interior of the 132-year-old heritage property, Fukusawa chose a small gallery space where Miyake can showcase his collections alongside the omnipresent culture and history.
Teruhiro Yanagihara (柳原照弘): Merging perfection and imperfection
© Photo by Anneke Hymmen
Born in 1976, Teruhiro Yanagihara grew up in Kagawa Prefecture. In 2002 he established his own company with the aim of developing an identifiable vision on design. Since then Yanagihara has contributed ‘borderless’ designs for national and international clients where his projects cross boundaries and cultures linking and embedding the world of design, industry and Japanese crafts.
As well as producing award-winners for international brands such as Offecct and Wallpaper, Yanagihara was the creative director for Japanese furniture brand Karimoku New Standard, leather collectibles TYP by Morpho and ceramics brand 1616/Arita.© Photo by teruhiroyanagihara.jp
1616 Arita is currently actively celebrating 400 years of the Arita pottery industry by inviting designers from around the world to work with 16 pottery houses with a view to up-cycling the pottery industry and give it a more contemporary vision.
For this, Yanagihara launched a design concept based on the notion of perfection and imperfection co-existing within beauty – the common Japanese belief that true beauty lies in imperfection. Uneven or mottled glazing that would have previously been discarded as defective in Arita, is now brought to life giving this tableware collection a distinctive appearance.
As well as accessories, Yanagihara has redesigned hair salons and fashion stores – including Sergio Rossi’s Tokyo store, Code and Lim beauty salon in Tokyo, Takeo Yodoyabashi Paper Shop in Osaka and Sun Motoyama in Ginza.
Jo Nagasaka (長坂常): Bringing history and heritage to life through design
© Photo by Yuriko Takagi. Courtesy of schemata.jp
Born in Osaka, Jo Nagasaka studied architecture at the Tokyo National University of Fine Arts before founding his practice Schemata Architects in Tokyo in 1998. His work varies from individual and private projects to industrial products and large-scale installations, interactive interiors and entire buildings. Nagasaka revives old objects and contemporary ideas with modern takes on old techniques.
Nagasaka has an unrivaled ability to upcycle unused and derelict spaces and to repurpose and bring to life history and heritage. Earlier works include the renovation of a post-war apartment block in Sayamashi, and the reconstruction of a building of disused offices and galleries into a hotel with a workshop, bookstore and café at the Happa Hotel in Tokyo. Recent projects have included the conversion of a Tokyo factory into an artist’s studio fully equipped with indoor garden, a fashion boutique with an interior that is entirely visible from the street, the Degree C Capsule Hotels and the very fashionable Blue Bottle Coffee shops of which there are, as of present, eight throughout Japan.
In fact, the Californian Blue Bottle Coffee company opened its first café in Kyoto this year, its eight outpost in Japan. Situated, as most of them are, in a historic 100-year old building, just steps away from the 13th century Nanzen-ji temple, the café is the epitome of all things Nagasaka – an elegant fusion of the building’s past and the brand’s modern culture. With barista training rooms and workshops, wooden wrapped walls and exposed patches in the buildings walls the preservation of the beams and wooden pillars all pay tribute to the structure’s heritage.
If you can, take a moment to also visit the new Hay store on Omotesando — it’s a stunning example of Nagasaka’s work.
Sonia Jackson is CEO of IROCO Design Japan – changing the way Asia sources great design.